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The rock art that redraws Australian history
HIDDEN in rugged ranges in north-west Arnhem Land, a spectacular treasure-trove of Aboriginal rock art is set to rewrite the history of Australia.
In a find that has stunned archaeologists and anthropologists, a vast wall of about 1500 paintings chronicles the history of Aboriginal contact with outsiders, from Macassan prows and European sailing ships to 19th-century steamships and a World War II battleship.
Alongside exquisite rock art more than 15,000 years old are paintings that capture some of the 19th and 20th centuries' most important technological innovations - a biplane, bicycle, car and rifle - as well as portraits of church ministers, sea captains and traders.
This indigenous version of a history book rivals anything similar in the world and holds the key to Australia's ancient and modern history, according to scientists who have just returned from an expedition to the Djulirri rock shelter in the Wellington Range. The Griffith University archaeologist Professor Paul Tacon, one of five scientists who travelled to Djulirri, said it was of international significance, unprecedented in artistic and technical merit and telling a new story of contact between Aboriginal people and the world.
Contrary to the popular view that indigenous Australians were isolated on their island continent, waves of other seafaring visitors arrived long before British settlement. For hundreds of years there may have been an export economy in northern Australia driven by the Chinese appetite for trepang, or sea cucumber.
While it has long been known that Macassans traded with Aboriginal people, the accepted date for this was in the early 18th century. The team of scientists believes it may have begun centuries earlier.
"This rock art dismantles the popular identity of Australia being a nation first visited by the British," said Dr Alistair Paterson, of the University of Western Australia, also on the expedition. "It goes against the idea of the Bicentennial and convicts."
The first rock art expert known to have seen the shelter was George Chaloupka in the 1970s. But the exact location was lost until a doctoral student at the Australian National University, Daryl Guse, relocated it by working with a local Aboriginal elder, Ronald Lamilami.
Apart from conducting the first full recording of the Djulirri art, the team of researchers discovered thousands of other rock paintings previously unknown to science.
Their trip was the first part of a three-year national program to uncover the archaeology of first contact with Aboriginal people around Australia. But the researchers fear that, without urgent government support, the Arnhem Land sites could be severely damaged. Tourism is rapidly expanding in the Wellington Range, says a Griffith University archaeologist, Dr Sally May, and one of the most important rock art sites, known as Malarrak, is being severely degraded by visitors.
Mining companies are also sweeping into the area. The range is a prime site for uranium and other exploration. Mr Lamilami wants an indigenous ranger program established to ensure the sites are properly managed.
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